Director 10K

Ultimate Quality

Simply the best

Director 10K - Motion Picture Film Scanning System

Our flagship scanner.
Recognized as the industry leader for its superior image quality.

Up to 10K resolution
  • Up to 10K resolution
  • Color sequential scanning for full color data at each pixel (not Bayer)
  • Very high density scanning with virtually no noise due to 2 and 3 flash High Dynamic Range (HDR)
  • Infrared light detects and corrects dust and scratches while scanning
  • Each film frame held motionless while imaging, optimizing scans of damaged and warped film
  • Gentle sprocketless film transport ideal for older films
  • Image and optical sound scanned in a single pass
  • Output to many file formats (ProRes, DPX, TIFF, etc.)

Maximum resolution

Self-adjusting optical magnification delivers maximum resolution for all film gauges.

Maximum resolution for all film gauges.
35mm
16mm
8mm

Film gauge versatility

Area scan technology with high precision optics

Area scan technology is far superior to line scan technology used by telecines and real-time film scanners.

The Director 10K uses a monochromatic CMOS area array image sensor with sequential RGB+Infrared color capture per pixel for higher detail and sensitivity than would otherwise be possible with color filter array (CFA) area or line array scan technology.

Line scan technology Area scan technology
Light integration for dirt/scratch reductionPoorVery good
Splice tolerancePoorVery good
Banding due to dirt in apertureBig problemNo problem
Variable speed sound scan for old filmNo (24fps only)Yes
Warped film tolerancePoorVery good
High Dynamic Range (HDR)PoorVery good

Banding due to dirt in aperture

Dirt always accumulates near the edge of the aperture during scanning.

Accumulated dirt always in active image area.

Line array image sensor aperture with dirt

Line scan aperture

Which causes streaks in subsequent frames.

Vertical banding caused by dirt in aperture

Accumulated dirt remains outside of active image area

Area image sensor aperture with dirt

Area scan aperture

High Dynamic Range

Single-pass color and B&W 3-flash HDR scanning for the best capture of print film shadow detail.

Often, part or all of the original negative is missing when it comes time for an older film to be scanned. This requires that print film be scanned for the missing portions. Whereas the highest density on negative film is about 2.0, the highest density on print film is 4.0 or more. Thus, scanning print film requires up to 1,000 times more dynamic range than negative film.

Click and drag back-and-forth on ⊲⊳ to compare images.

Unfortunately, conventional film scanners (e.g. ARRISCAN, DFT Scanity, and others) have been optimized to primarily scan negative film.  Consequently, these scanners are simply incapable of properly scanning print film.  The result is that shadow detail is either entirely missing or very noisy.

In contrast, the Director's 3-flash scanning capability can easily capture shadow details on print film at densities well beyond 4.0.

Below are scan comparisons between the ARRISCAN and the Director from the same print film using 2-flash and 3-flash scanning. Images have been digitally brightened 1,000 times to reveal detail in the shadow (i.e. high density) regions. Notice the vertical artifacts, excessive noise, and loss of detail in the ARRISCAN images.
Click and drag back-and-forth on ⊲⊳ to compare images.

Safe handling of damaged, warped, and spliced film

Optical Pin Registration (no edge guiding)

For the best stability of shrunk and damaged film.

2D Optical Pin Registration

Lasergraphics' proprietary 2D optical pin registration system locates up to 8 perforations and is able to register the frame even if only one of the perforations is usable. The frame is stabilized in the X, Y, and rotation axes. Therefore, shrunken film can be effectively stabilized with no mechanical or software adjustments. All optical pin registration is performed during the scanning process, eliminating the need for any post-processing.

Lasergraphics scanners are highly immune to perforation damage and splices while maintaining registration. Lasergraphics' 2D optical pin registration detects the location of all of the holes and then determines which ones are damaged. The damaged ones are ignored while the undamaged ones are used to align the image.

  • Optical pin registration is superior to:
  • Mechanical pin registration, which engages the film in only two perforations and is only effective on undamaged and unshrunken film.
  • Edge guiding, which weaves laterally because it entirely ignores the holes and is highly intolerant of splices.
Comparison of film registration methods

Sprocketless film transport

Sprocketless film transport

Continuous motion sprocketless capstan servo drive for constant film tension and safe film handling.

Each frame held motionless in gate during scan for optimal imaging of damaged and warped film.

Warped film handling

Warped film can't naturally lay flat in the gate causing the center to appear shrunk compared to the edges and the resulting output will have a ripple or “potato chip” effect.

Comparison video of a 1940's warped 35mm nitrate film scanned with line scan technology (most other scanners) versus area scan technology (Lasergraphics scanners). Notice the ripple effect caused by film travel speed variation and non-uniform focus due to the inability of warped film to lay flat as it passes through the line scan gate. Lasergraphics scanners are immune to these problems because the entire frame is scanned while held flat within the area scan gate by a pressure plate.

Automatic Failed Splice Recovery™

This patented feature eliminates the need to pre-inspect film. After the operator repairs a broken splice, the scanner automatically finds the proper frame and continues. Video and sound remain synchronized.

Infrared dust/scratch detection and reduction

The Director's infrared dust/scratch detection and reduction is superior to conventional (dry gate) scanning and better than scanning with a wet gate. Less messy and less costly too!

Click and drag back-and-forth on ⊲⊳ to compare images.

Infrared dust and scratch detection works during scanning to detect and reduce dust and surface scratches without softening, blurring, or altering the image. A defect matte is generated, depicting pixels that have been automatically corrected and defects that require additional attention (if any). The defect matte allows the uncorrected defects to be easily located and addressed in post.

DPX files containing the defect mattes generated by Lasergraphics scanners have been certified compatible with systems from the following companies:

DaVinci

HS-ART MTI Film The Pixel Farm

Soundtrack and KeyKode reading

  • Simultaneous image scanning and soundtrack/KeyKode reading
  • Optical soundtrack reader
  • Synchronized audio and image output to ProRes and H.264 (no post-processing or third-party tools required)
  • Variable scan speed for fragile film (no requirement to read in real-time)
  • Optical soundtrack extraction from scanned image
  • Automatic continuous alignment of track to edge of film (no need for constant manual adjustment e.g. thumbscrews)
  • Noise reduction processing reduces noise dramatically compared to conventional slit-based readers
    • Optical reader:
    • 35/17.5/16/9.5/8mm soundtrack reading
    • 65/35/16mm KeyKode reading
    • Variable area and variable density
    • Silver and cyan
    • Positive and negative
    • Automatic continuous alignment of track to edge of film
    • Diffuse light source for scratch and fingerprint reduction, minimizing ticks and pops

Intelligent Noise Reduction (INR)

Dramatically reduces noise in high density negative and print film.

Original INR enabled
High exposure B&W negative
Click and drag back-and-forth on ⊲⊳ to compare images.
HDR Enabled HDR + INR Enabled
Color print with enhanced shadow detail

Dye fade correction

Built-in color grading tools for easy dye fade correction, applied during scan, eliminates secondary post-processing step.

Dye fade Dye fade corrected
Click and drag back-and-forth on ⊲⊳ to compare images.

Stable ultra-diffuse light source

Stable low-heat LED light source protects film from heat damage and ultra-diffuse uniform illumination from the integrating sphere reduces the appearance of scratches in the film base and emulsion (that do not damage the dye layers) without softening, blurring, or altering the image.

On-axis light passes through undamaged film and reaches lens
On-axis light passes through scratch which deflects it away from the lens
Off-axis light from diffuse source passes through scratch but nevertheless reaches lens
Collimated light source Ultra-diffuse light source
Click and drag back-and-forth on ⊲⊳ to compare images.

Clean scanning

Enclosed cabinet with positive pressure HEPA filtration avoids dust contamination from normal office environments.

Complete film scanning system

  • Rack-mounted host computer ready-to-use and pre-configured with MS Windows and Lasergraphics Motion Picture Film Scanning System software featuring:
  • Full transport and scanning control
  • Adjustable horizontal and vertical framing with visual selection of scan area
  • Aperture and shading correction
  • Automatic or manual DMin calibration
  • Self-calibrating intensity, focus, and film base
  • Fast interactive gray balance and base calibration
  • Shuttling from 1 to 100 frames/second (200 frames/second for 16mm) with image preview and KeyKode recognition.
  • Selectable scanning speed
  • KeyKode-based job management
  • Multiple simultaneous output resolutions and data formats including DPX, TIFF, and ProRes.
  • Fast ProRes and and H.264 proxies/dailies
  • Per-clip color correction
  • RollView with thumbnail preview and automatic clip/splice detection
  • Seamless and easy integration with popular restoration systems including support for a secondary (reference) monitor and popular color grading panels.
  • Storage options:
  • PCIE slot available for customer-supplied adapter to connect to NAS, DAS, or SAN systems.
  • Internal 16TB SSD or 32TB HDD SATA RAID
  • Other:
  • Meticulously calibrated, aligned and tested at the factory.
  • Power requirements similar to a standard PC workstation
  • Operates in normal office environment (no special cooling required)
  • Full one year warranty (parts and labor)
  • Extended warranty available

Trade Up

Lasergraphics offers an extremely generous trade up program that can increase the capability of your scanning system as your requirements grow over time without losing your existing investment.

Technical Specifications

  • Imaging system
  • Monochromatic CMOS area array image sensor
  • Sequential RGB+Infrared color capture per pixel
  • 5K or 10K scanning resolution
  • High MTF resolution lens
  • Self-adjusting focus
  • 4:3, 16:9 and 1.85 aspect ratios
  • 10-bit or 16-bit log or linear bit depth (data format dependent)
  • 3-Flash color and B&W High Dynamic Range (HDR)
  • Intelligent Noise Reduction (INR)
  • Scans beyond density 4 in 3-flash HDR mode
  • Film base calibration, color grading and focus independently adjusted by shot/clip/scene
  • 7.5fps max scanning speed
  • Light source
  • Integrating sphere containing high-intensity, low-heat RGB LEDs
  • Self-calibrates before each scan
  • 100,000 hour lifespan
  • Film transport system
  • Continuous motion sprocketless capstan servo drive with each frame held motionless in gate during scan
  • Removable film gates with clamping pressure plate
  • 2D optical pin registration
  • Adjustable film tension
  • Film shrinkage tolerance up to 4%
  • Selectable transport over particle transfer rollers
  • Automatic Failed Splice Recovery™
  • Supported film formats
  • 8mm, Super 8mm, 16mm, Super 16mm, 35mm, and 65/70mm (5-perf)
  • Self-adjusting optical magnification for maximum resolution of all film formats
  • Supported film types
  • Negative, Intermediate, Interpositive, Print, Reversal, Color, and B&W
  • Optical soundtrack/KeyKode reader
  • Soundtrack/KeyKode reading simultaneous with image scanning
  • Variable scan speed
    • Optical reader:
    • 35/17.5/16/9.5/8mm soundtrack reading
    • 65/35/16mm KeyKode reading
    • Variable area and variable density
    • Silver and cyan
    • Positive and negative
    • Automatic continuous alignment of track to edge of film
    • Diffuse light source
  • Max film capacity
  • 2,000 feet
  • Built-in color grading
  • Ungraded or primary-color graded via lift/gamma/gain or black/white/contrast color controls.
  • Support for 3-ball color grading panel
  • Simple dye fade correction
  • Image, video, and audio output file formats
  • 10K, 8K, 6.5K, 6K, 5K, 4K, UHD (2160p), 2K, Full HD (1080p), HD (720p), SD and others
  • DPX color/B&W 10/16-bit (conforms to SMPTE 268M for compatibility with graphics, compositing, and other post production systems)
  • ADX (Academy Density Exchange Encoding)
  • TIFF (8/16-bit)
  • QuickTime (ProRes 4444 HQ/XQ, ProRes 422, and others)
  • H.264 (MPEG-4)
  • WAV/BWF
  • Built-in control panel
  • LCD display on scanner deck with buttons for loading, unloading, and shuttling film
  • Host computer
  • High-performance host computer preconfigured with Microsoft Windows 10 Enterprise LTSC OS and all required adapters and scanner control software
  • Internal RAID storage
  • 2 PCIe slots available for customer-supplied high-speed connectivity and storage (e.g. 10GbE/40GbE NICs, Fibre Channel, RAID HBA, etc.)
  • Rack-mounted chassis
  • 16:9 format LCD monitor
  • Software support for customer-supplied reference monitor via HDMI or DisplayPort
  • Host computer can be operated remotely via KVM and/or remote access software
  • Scanner base cabinet
  • Dual 19" rack-mounts for host computer and customer-supplied subsystems
  • Weight
  • 441 lbs. (200 kg) (scanner and base cabinet containing host computer)
  • Dimensions
  • 65" H x 45" W x 27" D (165 cm x 114 cm x 69 cm)
  • Operating environment
  • 15ºC to 30ºC
  • 15% to 85% relative humidity non condensing
  • 90-250V ~50/60Hz 872W